In the middle movement, we witness Beethoven’s beautiful melody writing at its best, characteristic of his long phrases. It is useful to listen carefully and assess each tone created, then to each phrase and section in addition to singing with the piano. The tempo mark of Adagio molto implies a very slow two-in-a-bar, which adds to the challenges for both performers and listeners.
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Masayuki Tayama has maintained a highly active schedule as both international recitalist and concerto soloist. Tayama’s Wigmore Hall debut early in his career was a sell-out, and he continues to appear regularly at eminent London venues, including Queen Elizabeth Hall, Cadogan Hall and St. John Smith’s Square. He has taught some of the country’s aspiring pianists as tutor at Chetham’s School of Music, and his teaching incorporates the method taught by Sumiko Mikimoto on tone production, muscle relaxation and training for pianists. In 2020, he was appointed Director of the Piano Teachers’ Course UK, the country’s leading professional development course for piano pedagogy. Tayama is also currently in the midst of a project to record Rachmaninov’s complete works for solo piano.
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