Practice Tools

Selection

Developing Speed

Now that you've learnt your piece at the "Speed of no mistakes", how do you go about increasing the tempo to performance speed? Many pianists use the incremental metronome method in which the metronome tempo is gradually increased for a passage. However, there are much better ways to build speed! This video introduces a few highly effective methods for increasing tempo whilst avoiding tension and retaining accuracy. Schubert -... Read >>

Graham Fitch Practising

Skeleton Practice

This series of articles will describe how to deconstruct a score and use skeleton practice by way of a number of examples. New articles and examples will be added on an ongoing basis therefore please do watch this space!... Read >>

Graham Fitch Practising

The Practice Tools Lecture Series

Without an understanding how to approach practising the piano, day-to-day practice can often be unfocussed and unproductive. In this series of video lectures, I identify and explore various practice tools that will help pianists of any level get the most out of their time spent practising.... Read >>

Graham Fitch Practising

Inventing Exercises from Your Pieces - Introduction

This set of videos will help you come up with creative ideas for inventing your own exercises within your pieces to solve problems and master challenging passages. Debussy - Arabesque No. 1 from 2 Arabesques Resources & links Open domain editions for the works featured in this video are available via the following links: Debussy 2 Arabesques ... Read >>

Graham Fitch Practising

Miming

Miming, or "shadow" practice, is a silent piano technique where the pianist deliberately prevents the keys from sounding—either by lightly touching or partially depressing them—to develop finger control, internal hearing and independence between hands or voices. Chopin - Étude Op. 25, No. 1 Clementi - Sonatina in C Major, Op. 36 no. 3 (1st mvt) ... Read >>

Graham Fitch Practising

Doubles

Doubles (or triples!) is a way of addressing challenging patterns within passages where we have a string of fast notes of like rhythmical values (e.g. semiquavers) by playing each pair of notes twice (or more). Mozart - Var. 1 From 12 Variations on "Ah vous dirai-je, maman", K. 265 Nielsen - Snurretoppen (No. 2 from Humoreske-Bagateller, Op. 11) ... Read >>

Graham Fitch Practising

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Practice Tools

Selection

Developing Speed

Skeleton Practice

The Practice Tools Lecture Series

Inventing Exercises from Your Pieces - Introduction

Miming

Doubles

Inventing Exercises from Your Pieces - Repertoire Examples (1)

Inventing Exercises from Your Pieces - Repertoire Examples (2)

The Three S'S - Sections