The Art of Piano Fingering


Chapter 12 - Arpeggios of the Diminished Seventh

Arpeggios of the diminished seventh consist of four notes a minor third apart: Example 59A Example 59B The basic fingering, as shown above, is: 1 2 3 4 It is simplest and most straightforward to describe Example 59A as a diminished seventh starting on B. However, it is also sometimes described harmonically as a diminished seventh in the key of C (i.e. tending to resolve onto the chord of C major). In the key of C Major, it can either be thought of as a diminished seventh on the leading note (chord...

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Getting to Grips with Octaves

Having great octave technique is an essential hallmark of virtuosity, but what’s the secret to developing it? In this module Graham Fitch provides a comprehensive guide to developing octave technique using numerous examples from the repertoire, video demonstrations and exercises.... Read >>


Graham Fitch Technique

Intermediate Scales & Arpeggios

Pianists at the intermediate level should know all major and minor scales (one form of minor), and all major and minor arpeggios in root position. There are several scale manuals available, but this manual is different in that it offers exercises and suggestions for practice, together with short, easy-to-use video... Read >>


Graham Fitch Technique

Etudes & Studies – Czerny (Part 1)

<h3> <a href="/content/pages/173-etudes-studies-czerny-part-1?bundle_url=online-academy&amp;last_viewed=true">Practical Method for Beginners (Op. 599)</a></h3>

In this lecture series, Ilga Pitkevica gives a tour of Czerny’s Practical Method for Beginners (Op. 599), explaining how and why these etudes should be used for developing and teaching both musical and technical skills. Ilga provides detailed suggestions for each of her favourite etudes from the collection practising, avoiding... Read >>


Ilga Pitkevica Technique